Jadine Conway

Introducing Argio, a fancy sans serif font with optional stencils and loads of styles to choose from. It‘s geometrical and calm character is made for headlines or logos. Don‘t forget to try out the optional stencils to set an eyecatcher and give your work a unique touch. To use one of the five ligatures, just type “theliga” and you will get a unique designed pre-set eyecatcher. And there are even more ligatures!

This package includes all styles (Light+Stencil, Regular+Stencil, Bold+Stencil, Rough and Shadow) of Argio.

Mamba is inspired by Cooper Black.

Here is my font with carved out letters, like a really bad stamp. Each lowercase letter has 3 different versions, and that makes your text more natural, organic and handmade. Normally I kern my fonts throughout, but this time there is no kerning at all…and that’s odd, when we’re not talking about monospaced fonts. Anyway, Bottle Fork has its flaws and jumpy x-height…but that’s exactly the charm of it all! :)

Chrysante is a flowing pen script.
The typeface was drawn and created by Måns Grebäck between 2018 and 2020.
Its thin lines are inspired by mid-century advertising, emits optimism and has a strong personality.

The ink script family consists of three weights: Chrysante Thin, Chrysante Medium and Chrysante Bold.

Its multiple alternate alphabets gives the font a true handwritten feeling.
Use it for a logotype, a greeting card or as a headline.

The font contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all European Latin-based scripts.

Fresh is best! Say hello to this playful and bouncing font designed by Resistenza. This all-caps have been specially created to add a lively mood to your graphics. You’ll be able to create catchy quotes combining these all-caps fonts or you can use them individually.

Including 2 sets of letters on each font (uppercase & lowercase), so you can choose an alternate for each glyph just using your keyboard or the opentype glyphs panel on Indesign, illustrator and other apps with opentype features.

Have fun with this friendly font family and give a whimsical touch to your projects. Perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging, fashion supplies, food products, artisanal goods, and an endless array of options.

Prego is small family with a lot of charm packed in 3 weights – Light, Regular and Bold. High contrasting design combined with simple and elegant shapes equipped with OpenType features (Swashes, Stylistic and Contextual Alternates, Fractions). Supports extended Latin character set and Cyrillic as well.

Vinetters has letters on the alternating leaves of a vine. It is monospaced and uses the OpenType contextual alternatives (calt) feature to alternate leaves as the vine snakes its way across the page, putting leaves with the base down between leaves with the base up. The family has two styles, one with transparent leaves and the other with solid leaves, and these two styles can be used in layers to add color. The family has a large set of accented characters but omits some symbols that are used primarily in technical text. Spaces between words can be left blank or filled with connecting vine using the brackets, trademark-infinity, doubledagger-summation, radical-approximatelyequal, or fi-fl characters. The characters on the leaves are derived from the typeface IngrianaCasual.

Topics for which using Vinetters may be appropriate include trees, plants, leaves, nature, changing seasons, and outdoor life.

“Calagio” is a casual and modern font, which can be categorized as expressive lettering style. This font contain 565 glyphs carefully designed, with OpenType features. A lot of alternative glyphs in upper and lower case letters, ligatures and ornaments, so you can combine and make your design more real at your convenience.

Farquharson is a handwritten script design from Roy Preston. Based on the handwriting of an friend, Roy has expanded this friendly, semi-connecting script to include three weights, Light, Regular and Bold, opening up even more design possibilities. The fonts support an extended character set, as well as some ligatures, inferior and superior numbers, and unlimited fractions. There are some really nice letterforms in these fonts, particularly that uppercase W! Peruse the posters to see. I’m kind of partial to the Light weight, which is really quite elegant in use, but that Bold can really make a strong statement! Check it out for yourself.

Check out these Lazy Dance moves - fits perfect to any dancefloor! :)
A tall and thin font made with a brush - it has slightly rugged lines, and a kind of jumpy x-line. All in all it is a font that deserves a design with a handmade look. There is 4 different versions of each letter, and thanks to Contextual Alternates, these automatically cycle as you type. Making your text look really authentic and handmade!
There is also multilingual support!

Following from the continued popularity of the original MB Deco. Here is its new and improved big brother. Nuovo Deco comes in three weights, Light, Regular and Bold. A full character set of Caps and lower case letters, alternate characters plus, some very nice Ligatures to give some added art deco style and a much wider scope.

Alternates, ornaments, ligatures and two casual stylish faces.
This is Outside. Where we’d absolutely rather be.
* Released during the inside times of 2020 *

I don’t know what is it with me and bad copy machines these days…my previous font also had that look, like it was made using a poor copy machine! :)
Basic Choice comes in a regular, solid and distressed version - use these versions as they are, or play around and use them as layers.
Each letter has 6 different versions, and they automatically cycle as you type. It makes the text look scrambled and random at the same time!

Slacker is a carefree brush script with soft features, low contrast and well balanced character forms. Slacker is excellent for creating easygoing yet catchy headlines, logotypes or even longer texts.

Slacker is equipped with Standard Ligatures and Contextual Alternates - they help to keep the flow lively and balanced and connections smooth so you should normally keep the features on. In addition Slacker has Stylistic, Swash and Titling Alternates for more showy letterforms. If you want to keep letters connecting to one another at maximum try turning on Stylistic Set 01 (SS01). On top of these Slacker has even more alternates in the Character Window making the total glyph count to 660.

Slacker Extras is a set of 50+ brush strokes with the same style as the brush and a set of catchwords.

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members.

Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically.

Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper

Right after Allrounder Grotesk and Allrounder Monument, it’s time for the third member of the Allrounder Collection by Moritz Kleinsorge. Please welcome Allrounder Antiqua.

Allrounder Antiqua is a classic and timeless typeface, perfectly suitable for editorial and brand design. The lowercase a with its small and sharp counter provides a distinctive recognition feature, that will always stand out nicely.

While its main purpose is to set very legible body copy with an even color, its refined shapes also shine in display sizes and let you create elegant packaging, even for food, fashion or consumer goods, and lifestyle branding. It is also suitable as a strong corporate typeface, be it for a more conservative venture or the latest hipster start-up.

This classy serif typeface comes in four weights with corresponding true italics. And for sure, just like the workhorse Allrounder Grotesk, Allrounder Antiqua is also equipped with plenty of Opentype Features like small caps, six sets of figures, case-sensitive forms, superiors, fractions and many ligatures. You will find alternate letters with swashes within this extended character set, as well as all the accented glyphs necessary to support more than 200 Latin-based languages.

Allrounder Antiqua: Historical Background
The (french) renaissance inspired typeface started as Moritz Kleinsorge’s graduation project within the „Expert class Type design” course of the Plantin Institute for Typography, located in the famous Museum Plantin-Moretus in Antwerp, Belgium. There, Moritz Kleinsorge decided to create a revival of Robert Granjons Ascendonica Romain, which is described as „a beautiful face; typical of Granjon’s mature style” within the inventory book of available punches and matrices. To touch punches and matrices cut by Robert Granjon back in 1567 was an unbelievable feeling, he explained. Over time, the typeface moved away from being a true revival, becoming rather a Granjon inspired typeface.

Allrounder Grotesk: Perfect Pairing
Allrounder Grotesk is the ideal complement to Allrounder Antiqua. They both share the same vertical matrices and color, so you can pair both typefaces within a text without creating a visual disruption. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface. You can also find Allrounder Antiqua and the matching four weights and italics of Allrounder Grotesk as a collection. Just search for „Allrounder Grotesk and Allrounder Antiqua” within the search bar and you will find all matching weights of both typefaces for a special price. With this collection all your design dreams come true for matching type with ease.

Design Trick: Bilingual Design with the Allrounder Superfamily
The combination of Allrounder Grotesk and Allrounder Antiqua is ideal for bilingual designs, wherein both languages get the same emphasis by two different typefaces. And of course, setting headlines with different but matching typefaces is a strong visual practice.

Polites is a millennial generation serif font, made with a very soft touch. Polites is a font family, it comes in 12 upright weights.

Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more.

Polites works great in any branding, logos, magazines, films. The different weights give you a full range of whole hosts of applications, while the outlined fonts give a real modern feel to any project.

OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Eggad features letters on eggs. It can be a fun font to use at Easter or for any egg-related message. Some of the eggs, those on the upper-case keys, have their large end on the bottom and some, those on the lower-case keys, have their large end on the top. The font uses the contextual alternatives feature of OpenType to alternate the big-bottom and big-top eggs. If you want only eggs with big tops or with big bottoms, turn off this feature.

Eggad comes in two styles, a regular style in which the eggs are outlined and a bold style in which the eggs are solid. Both are monospaced. The two styles can be layered to color the eggs. Alternatively, background color can be added (dot accent and ring characters) or the outline color can be changed (sterling and yen characters) using layers in the regular style. If you are typing numbers and want the start to be big-bottom number, switch on OpenType style set 1.