Jadine Conway

Introducing, Madegra, An Elegant Serif. This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font even more unique. Especially since this family has 9 weight styles which you can choose according your needs!

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded
- 9 Weight Styles

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Please read the READ ME file in order to activate the features.

Email us to letterhend@gmail.com if you need something! Happy Designing!

Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. 

Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named New Car Tag JNL, which is available in both regular and oblique versions (for those who want a more sporty look).

Some people prefer a rounded ‘zero’ to differentiate between the regular zero and the letter ‘O’.  You can find this alternate character located on both the solid bar and broken bar glyphs.

Philadelphian is a revival of a MacKellar, Smiths & Jordan font from 1867 by the same name.

The regular version with shadow outline was the only style that was offered in 1867.

We’ve taken the original design further by creating two additional weights of medium and bold plus plain black versions.

The medium and bold weights are unique because only the horizontal strokes increase in thickness while the vertical strokes remain the same in each weight.

In the late 1800’s Philadelphian was a very popular typeface which can be seen on many billheads and letterheads through the early 1900’s.

If you’re looking for a western style font that doesn’t look like any other then Philadelphian is the right choice.

While the name doesn’t remind you of the cowboy genre we’ve kept the original name for historical reasons because this font was so popular in it’s day.

We plan on going forward with a weathered version of Philadelphian which will be released under a southwestern style name.

With Philadelphian we’ve decided to set the complete family price to an amount that may be considered on sale all of the time.

Sicret is a perfectly geometric typeface family. 
It was drawn by Måns Grebäck in 2020, and each one of its glyphs was manually created by following a strict mathematical pattern consisting of only two basic shapes, in four different combinations, set on a three units tall grid.
The resulting product is a true monoline font with a solid character, with an official look while yet going towards sci-fi because of its digital nature.

The family consists of nine weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black.
The range of weights makes it very adaptable, and all the weights works very well together to give a sentence or graphic tone and emphasization.

As Sicret is a font with over 850 glyphs, it is guaranteed to contain all characters you’ll ever need, including all punctuation and numbers.
It has a very extensive lingual support, covering Greek, Cyrillic, Hebrew as well as European and American languages.

The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.

Marilka is the little treasure in your typeface collection.

Designed by Anita Jürgeleit, Marilka appears in 4 styles with a broad latin language support, including Vietnamese language. Its eye-catching character is especially suitable for text settings. The beautiful letter shapes also suit headline typography in an outstanding way.

Marilka supports simple open-type features such like sub- and superscript, de- and nominator, ordinal numbers and standard ligatures.

Try Marilka with its free trial version and let yourself be enchanted.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” was a popular book of inspiration for sign painters, graphic artists and designers from the 1920s through the 1960s.  Many digital revivals of Welo’s hand lettered typography have been made available.

Formal Notice JNL is one such revival, and is available in both regular and oblique versions.

Many good things such as X-rays, penicillin and water ice were discovered accidentally. And now Glance Slab completes the list. To complete his type library, type designer Moritz Kleinsorge designed a new Slab Serif, but he was not happy with his first design at all. So he started experimenting with certain shapes and by accident the shoulder of the lowercase letter /n was suddenly no longer connected to the stem anymore. He liked this accidental discovery so much that he took this feature and created a complete typeface out of it - without receiving a stencil typeface, because he sees the unconnected elements more as an ink trap than as a stencil element.

The result is a dynamic and sporty, yet organic slab serif. The typeface is characterized by the previously described unconnected elements in letters where a curve meets a stem. Especially the letters (/a, /c, /s, /C, /G, /J, /S as well as some numbers and symbols) with an unconnected serif prove to be the attractive and stylish symbol of recognition of Glance Slab. It is a typeface that is quickly recognizable.

With its strong visual character, Glance Slab is perfect for branding and any application in large point size. Glance Slab is eye-catching, unusual and beautiful – a typeface that is easy to remember. But although it has a strong character, the effect of ink traps is noticeable in smaller point sizes. The unconnected elements almost merge into each other, making the character-strong letters less prominent and making the typeface much more legible than initially expected.

The Glance Slab, designed by Moritz Kleinsorge, consists of seven weights from Thin to Black. Each style has a character set of about 570 glyphs, which includes (black) circled numbers and arrows, ligatures, extended language support and much more. There is also already the first sketch for a matching sans serif, which could be released later this year.

Groovy style font becomes one of the most popular fonts these days, many designers use it to create a fun and happy themes design projects.

Popstone is one of a unique font from our collection, it look bubbly and funky. Contains 10 weights from thin to black, including variable format It also has alternatives and a lot of fun ligatures to play with.

Popstone is a fun, funky, and versatile font family, you can use it for poster, logo, retro or vintage theme, DIY projects, baby, 70s, 80s style, and much more.

The lettering found on an 1878 Salt Lake City advertisement for the Forepaugh’s Circus inspired Faux Pas JNL, which is a bit of a pun on the circus’ name and also a commentary on how this unusual lettering style seems to break all of the rules on stroke width and balance.

According to Wikipedia:

“Adam John Forepaugh (February 28, 1831 - January 22, 1890) was an American entrepreneur, businessman, and circus owner.

Forepaugh owned and operated a circus from 1865 through 1890 under various names including Forepaugh’s Circus, The Great Forepaugh Show, The Adam Forepaugh Circus, and Forepaugh & The Wild West.

In 1889, Forepaugh sold his circus acts to James Anthony Bailey and James E. Cooper and he sold his railroad cars to the Ringling Brothers.

The Ringlings used the equipment to transform their circus from a small animal-powered production to a huge rail-powered behemoth, which later purchased the Barnum & Bailey Circus. Thus, in liquidating his circus assets, he indirectly contributed to the demise of his arch-rival.”

Faux Pas JNL is available in both regular and oblique versions.

My family and I recently moved to a ‘fixer upper’ farm from the 1930’s. It came with a slightly run down barn, 4000 square metres of land and a LOT of redcurrant bushes. I can’t really say that I am overly fond of them. I find them a bit too tart. As a kid, I used to smother them in sugar, but I can’t do that any longer, since I am a responsible dad… ;-)

Redcurrant is a slightly wonky, slightly crazy handmade font. It can be used for book covers or post cards, but feel free to use it for whatever.
Comes with cute little swashes as well.

The American Sign Museum in Cincinnati houses an amazing collection of vintage signage from all kinds of sources and covering many eras of retail advertising.

Someone visiting the museum posted online an image of one particular piece of glass with hand lettering saying “gold leaf” in a bold Art Deco stencil style.

Etched Stencil JNL was inspired by that image and is available in both regular and oblique versions.

Introducing, Samrose. A unique textured brush typeface with bold and strong feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase (alternates)
- numbers and punctuation
- Ligatures and alternates
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

Scansky is a carefully crafted contemporary modern sans serif typeface. It comes with 28 fonts, regular and condensed sub-families, and matching italics.

Scansky was designed to give a distinct, corporative look to your artwork, suited for signage, web, and corporate print material. It is equipped with an extended character set to support Central, Eastern and Western European languages.

And the good news is that the SemiBold weights are free of charge so you can try it.

A bold, classic wood type newspaper headline was the inspiration for Early Edition JNL. 

The source of the type design was actually a dummy newspaper with the headline “Thursby and Archer Murders Linked” [which was used in the 1941 film noir classic “The Maltese Falcon” featuring an all-star cast headed by Humphrey Bogart, Mary Astor, Peter Lorre and Sidney Greenstreet].

Early Edition JNL is available in both regular and oblique versions.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Bogue is a soft serif type family of 8 weights and matching italics. The soft forms gives it a friendly and approachable character with a hint of retro feeling. Bogue comes with a lots of stylistic alternates that makes it very versatile in various uses like logos, editorial design, branding, web design, package design and much more. You can use it to create short powerful phrases, headlines and also use it in longer text like lead paragraphs and body texts. So if you are looking for a versatile soft serif font with a friendly character you have found it!

An interesting hand lettered example of Art Deco lettering (minus the letter ‘L’) was spotted on Pinterest and served as the inspiration for Deco Sketch JNL. 

Because there was no attribution as to the age or source of the alphabet, it can only be surmised that it was a scan from a 1930s or 1940s source.

The original showed many of the irregularities of pen lettering, and had rounded terminals.  The digital version has been redrawn more uniformly with flat terminals.

Deco Sketch JNL is available in both regular and oblique versions.

Deka was 10 years in the making. Intended as a clean and straightforward sans serif family, it has just enough personality to stand out. Helvetica this ain’t! Deka has 8 weights, language support for all Latin plus cyrillic languages, and loads of Opentype features. It is a versatile workhorse suitable for both text and display usage.