Jadine Conway

This font was designed by blocks, square glyphs. Terminals/crossbars of some glyphs can be extended in a way that you can customize the text of your design by using the selection bars in “variable font” button. That button will appear in the text editor of your program, if such option is available, like in recente illustrator and photoshop.

One of the classic designs of the wood type era is Hamilton Gothic Bold [from the Hamilton Wood Type Foundry circa 1889].
Clean and timeless, it even had found a resurgence during the rock and roll posters of the 1960s, where vintage wood types and Art Nouveau influences merged with the “Hippie Counterculture”.

Wood Gothic JNL is available in both regular and oblique versions.

Añejo s a dry brush calligraphic font. I created it keeping in mind process of brewing agave. Old one calls ‘Viejo’ and the oldest is ‘Añejo’. It accumulates taste and becomes of the higher class. That’s why there are 3 alternatives for basic latin with swashes. More of all it supports western, eastern, southern and eastern Europe languages.

Risky Biscuit is wants to go its own ways. It is never too much or too little - just perfect in its awkwardness!
You may think surfer, skater, DJ or hand craft - that’s okay, because Risky Biscuit is all that and even more!
Comes with contextual alternates - meaning 5 different letters AND small caps for each vowel…and of course multilingual support!

Sheet music from 1910 with another one of those ridiculous thirteen word titles (“I Love My Steady but I’m Crazy for My “Once-in-a-While’”) had the lengthy verbiage hand lettered in a bold serif typeface with slightly spurred serifs.

This has been recreated in a digital typeface with a much shorter name: Weekend Date JNL, which is available in both regular and oblique versions.

Antica has sharp triangular serifs, and in 8 weights with true italics, it forms a family that stylistically finds its origins in Latin styles of the nineteenth century. The font incorporates additional swashes, small caps and stylish alternates that advance the aesthetic from its roots and make it appropriate for modern design.
Commonly named ‘Latin types’ did not vary in weight, but we decided to create Antica with a range that goes from thin to black and we also added extra curlicues to the letterforms. Antica borrows from the versatility and freedom granted to type founders of the nineteenth century – a time when the meteoric growth of mass-produced consumer goods led to an increased demand for publicity that needed fresh, attention grabbing typefaces. And as an homage to these Latin types we designed Antica to function well with an array of projects from stylized labels and formal editorial design requiring small type sizes to large-scale posters and billboards.
The Antica family supports a wide variety of Latin alphabet-based languages.

I had a really weird dream the other night, but when I woke up, I had forgotten it. I had the feeling it was about something important, but I cannot, for the life of me, recall what I dreamt about!

Forgotten Dream is a horror brush font, which I made with a brushy brush and Chinese ink. It looks like something right out of a nightmare, but you can also use it for something important. Like a ‘keep your distance’ poster, or a sign about the importance of washing ones hands.
But then again, if you play in a death metal band, then Forgotten Dream font could be exactly what you need for your album cover!

Rashfield is a soft serif type family in 5 weights and italics. Inspired by classical Windsor mood in Woody Allen movie titles, with outward bent h, m, n and a lot of modern alternates. Softly character with a hint of retro feeling. Rashfield has a lots of stylistic alternates that makes it very playful in various uses like logos, prints, branding, web design, packaging and more. Use it to create short powerful phrases and headlines and also use it in longer text like paragraphs and block texts. Perfect for modern projects with a little retro mood feel.

Township JNL is based on French Antique Condensed [a classic wood design] and is available in both regular and oblique versions.

Reminiscent of Old West wanted posters and circus broadsides, this ultra-condensed typeface allows for more word copy to fit into a single line’s space.

Greenalyzed is a made up word is a font that could set your mind to something handmade and eco friendly. The letters are clumsy and childish naive, but really fun and legible. Comes in 3 different versions: Regular, Rough and Stitch. The Stitch version is good as a top or shadow layer. I also added multilingual support and “jumpy” ligature substitutions for the most common double letters.
Enjoy!

Gopher Mono is a reverse contrast, monospace sans serif typeface. This 16 font family ranges in weight from thin to black, with italics. The design provides a unique look to the monospaced genre by using a contrast where the vertical strokes are a little thinner with horizontal strokes thicker.

While monospaced fonts are typically used for smaller body text, the slightly unusual quirks of a reverse contrast design make it interesting enough to also use for display treatments. So style and function are blended.

Pair Gopher Mono with the Gopher Display, Normal, and Text families—with varying degrees of reverse contrast being the design thread that unites them all together.

Gopher Mono includes features to enhance your typography:

• Stylistic alternate “a”
• Case-sensitive punctuation for All Caps
• Fractions, superscript, subscript
• Slashed zero
• Arrow icons

This font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European. Gopher Mono will find its home in a variety of settings for branding, advertising, magazines, editorial, packaging, and more.

Introducing Kooka, a Stylish and fun groovy family.

Kooka inspired by groovy retro style, this unique and Cool vintage display family is perfect to combine with any sans serif font.

If you’re looking for a unique and modern vintage font for your next project, Kooka is the right choice! Thanks to its unique characters.

Kooka also includes a Variable style as well as multilingual support, numbers, and currency symbols.

don’t forget check our Portfolio page for more great font! thank you

Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions.

Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.

A vintage New York neon sign for a juice stand advertising “Papaya” was the model and inspiration for Fruit Juice JNL, which is available in both regular and oblique versions.

An online display of pages from a book on wood type fonts provided an example of a bold, eccentric slab serif design with unusual curves and letter shapes.

This font’s eccentricities became the basis for its name, Eccentric Wood Type JNL – which is available in both regular and oblique versions.

From the cover of the 1932 sheet music for “A Great Big Bunch of You” comes a hand-lettered Art Deco type design; boldly hand lettered with contrasting angled lines and varying character widths.

Deco Romance JNL is available in both regular and oblique versions.

Hexaframe CF evokes the awe and potential of of heavy machinery and robotics. Clad in tough polygons and rounded edges, Hexaframe is a perfect typeface for corporate identity, STEM toys, and user interface design.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

This is condensed and more visually compact version of Skarpa font. All kerning has been thoroughly revised and manually adjusted.

The font is based on geometric forms devoid of excessive flourishing.

Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen. Lighter specimens would look good in leaflet & magazine print (see presented posters).

Sunshine is our newest script font with a modern brush pen style. It is a flexible font which makes it perfect to match with other typefaces to create a beautiful work like illustration, logo, wedding card, book cover, fashion design and many more.

The full typeface has more than 540 glyphs including ligatures, contextual alternates, extended language support and other open type features.

Taking its name from the arabic word for “king”, Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It’s something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.

Malik also means “owner”, and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes.

Malik is the typeface for everyone who wants to design like a king…or like he doesn’t care who the king is!

Here is a Guideline for you: Use this font if you want fun, unpredictable, legible and handmade text with influences from both comics and graffiti. Each letter has 5 different versions, and they automatically cycles as you type!