Jadine Conway

Introducing, Bernida - A cute and lovely script with casual and playful feel. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Brannboll Connect is a script sport typeface.
The baseball-style lettering was drawn by Måns Grebäck in 2020.

It is a specialist connected typeface:
Each character and all their parts are physically connected, making it a
lettering perfect for laser cutting, signs, jewelry, woodworking and embroidery.

It also comes with the additional, decorative style Brannboll Connect Swash,
which contains ten cool swashes to give the graphic extra expression.

It has a very extensive lingual support, covering all European Latin scripts.
The font contains all characters you’ll ever need, including all punctuation
and numbers.

Koi is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. The result is something of a hybrid, sitting somewhere between an outline and an inline style, and with an asymmetrical look — something quite rare in a typeface. Many of the characters look like ready made logotypes. Further customisation is easily achieved by extending the end strokes of characters, possibly aligning them and joining them to others to create bespoke arrangements.

Slabserif Grotesk JNL was modeled from an example of a wood type design called Antique Light Face, and is available in both regular and oblique versions. 

The numerals (although an odd fit to the overall design) make this vintage font quite unusual and charming. 

Sleepy Head is a comic sans serif with slightly geometric curves, Perfect for anything that has the need for a casual display font. Comes with 5 different versions of each letter and multilingual support!

Based on the type style used for the Superior Sign and Chart Printer No. 929, this simple and clean sans serif font was perfectly suited for use by teachers in the classroom and for businesses and organizations that needed to make signs, price cards, charts and notices.

Digitally redrawn as Schoolroom JNL, it is available in both regular and oblique versions.

The Superior Marking Equipment Company [formerly of Chicago] was not only a major supplier of materials for the rubber stamp industry, but for most of its existence manufactured date and numbering stamps, sign and chart printers (such as the one used for this font), and a line of children’s printing toys (amongst other items).

Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels.
With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts.
Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.

An image spotted in an online auction online of a 1940 Milton Bradley child’s activity set consisting of wooden letters formed the basis for School Activities JNL, which is available in both regular and oblique versions.

Although the basic characters feature chamfered corners, the nature of bending the steel rule dies to form the letters to be cut from the wood provided rounded edges as well, creating their unique look. 

Sporty and brawly, Magnesit creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit Stencil and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. Magnesit works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Sporty and brawly, Magnesit Dark creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Stencil families, so you can mix and match to achieve exactly the effect you need. Magnesit Dark works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit Dark is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Sporty and brawly, Magnesit Stencil creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job.

Four distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. The SuperSoft style unique to the Magnesit Stencil family carries the concept to the extreme, mixing soft organic curves with rigid modularity inherent to stencil signage.

Magnesit Stencil works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit Stencil is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Notebug looks like there was a bug playing around with an inky pen. Notebook with a bug = Notebug!
Made with a hefty inky pen and quick strokes. You got 3 layers to play around with: Regular (the outline) Fill (The “inside” of the Regular version and Layer (best used as a background layer for Regular)

Initially started as an extension to Praline MCL, Roca transformed into a new font family - influenced by the same fonts as Praline - Windsor and Cooper Black - the hits of 60s and 70s – with a hint of Bookman.

Created in 2 styles and 6 weights that can be mixed and match, it contains 24 fonts including alternates and true italics . It is full of OpenType features – stylistic alternates and ligatures.

This multilingual font family supports most of the European languages as well as Cyrillic ones (Russian and Ukrainian).

An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.

Fraktion Mono is a semi-technical grotesk and the fixed-width complement to Fraktion Sans. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions and slashed zero. Fraktion Mono works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Fraktion Mono is manually kerned and auto-hinted for crisp display on screen.

Introducing, Kaeliwritten. A natural handwritten typeface. This type of font perfectly made to be applied in various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Notes And Quotes is a font duo that includes a bold typewriter font and a casual script font. The contrast between the fonts makes it a striking pair, perfect for logotype design, modern branding and packaging, quotes and social media posts.

Notes And Quotes includes 6 fonts:

- a handwritten script font with
- a slant alternative and
- a bonus set of handwritten doodles (underlines, circles, words and short sentences, etc)
- a bold typewriter font with
- a “jumpy” alternative and
- a set of bonus misprints and grungy elements

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things…

Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink.

Whalebone comes with discretionary ligatures for double letter combinations.

Gogh is a geometric sans serif with a modern look and traditional spirit.

It blends evenly in a paragraph without being overly distracting to the reader. Yet it still keeps a rich and distinctive character. The generous x-height, easily distinguishable glyph forms, and open terminals are all designed to help the eye perceive a block of text smoothly, making it clearly legible. Gogh thrives when used both on-screen or on print media.

Gogh type family consists of 10 weights from Hairline to Black and their matching Italics. Gogh is also available as a fully functional variable font, which gives unlimited opportunity to explore typography without the restrictions of predefined weights. Gogh Variable is also the best option if used on the web as it has a much-reduced size compared to the original font family.

Regardless of which Gogh family you choose, the typeface covers a broad spectrum of languages, as it includes Extended Latin and Cyrillic. And it also comes with an alternative stylistic set that will completely change the overall look of a paragraph, giving it a more contemporary and display appearance. In addition to that, Gogh type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case sensitive punctuation, and more.